Swathi thirunal krithi notation1/2/2023 ![]() ![]() Somasundaram in Sudha Vasantha, an offspring of Dheera Sankarabharanam had a swaying effect. ![]() The duo handled the niraval and swaras with professional ability. Its inherent rhythm is in Roopakam while the suggestive one is in Aadi thaala in Thisra Gathi. Sankari sankaru by Syama Sasthri in the dual frame work of rhythm, a speciality of his. Nannu Vidachi (Reethigaula) in chappu by Tyagaraja, in absolute aurrender unto God with the message ‘My body is Yours’, was sung well. Vijayalakshmi presented Begada along with Anudinamu by Poochi Iyengar. The sisters proceeded with Jaya Jaya Padmanabha in Manirangu by Maharaja Swathi Thirunal. Musical notation for most of his krithis was done by Dr.Pinakapani and Nedunoori Krishnamoorthy. Then they sang Vandeham in Hamsadhwani by Tallapakam Annamacharya, who was inspired by Vidyaranya, his predecessor. This was well appreciated by a large gathering at the Ernakulam Gramajana Samooham hall. Both of them possess an attractive voice and their tenacity in upholding the elementary virtues of sruthi and laya in perfect balance was revealed from the varnam in Sree ragam ( Saami ninne) by Karur Devudu Iyer. Rangachari have thus acquired a firm musical conviction to make a Carnatic music programme a creative art than a mere act of self indulgence. Chithra the daughters of the popular Ghanjira player K.S. aman and Lakshmanan before being trained by Suguna Varadachari. Mambalam sisters from Chennai who presented a vocal duet at Rasikapriya recently, were the desciples of B.V. When the virile Tiger Vradachari style is spiced up with that of the affable one by late Musiri Subrahmania Iyer a new palatable ‘bhaani’ is born. ![]()
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